Madelyn has a new interview with W Magazine! You can read her interview below and check out 2 photos from her photoshoot in the gallery! Hopefully we will get some more!


Warning: Spoilers ahead for Outer Banks season 3.
Madelyn Cline has been waiting since the end of last summer to publicly discuss all of the spoilers from the third season of Netflix’s Outer Banks, dodging questions from fans, friends, and journalists alike for months. So, when she logs onto a Zoom call on the morning of the latest 10-episode drop of the soapy teen drama, the actress can finally breathe a sigh of relief. “It’s always so funny dancing around plotlines that you don’t want to give away, so I feel like there’s a weight that’s been lifted off my chest,” Cline tells W.
For three seasons, Cline has played Sarah Cameron, the queen bee from a wealthy family of Kooks who has switched allegiances to a friend group of working-class Pogues. It’s a role that has put Cline both on the map and through her paces. In the international search for an ancient treasure, Sarah has survived being shot, drowned, and strangled—and that’s just at the hands of her own family. But the third season brings a new kind of heartache for Sarah, whose loyalty is tested when she is faced, once more, with the life she left behind.
Below, Cline unpacks the latest chapter of Sarah’s journey, (including the experience of shooting that finale), her character’s ill-fated hook-up and subsequent betrayal of John B. (Chase Stokes), and whether there is any hope for Sarah’s complicated relationship with her brother, Rafe (Drew Starkey).
The Outer Banks finale is easily the most ambitious episode of television that you have ever shot. How did you react when you discovered the scale of this episode would require you to film in a dark cavern hundreds of feet underground?
The last two episodes feel like a short film because of the expanse of what we were trying to achieve; it’s the accumulation of the last 30 episodes. I remember reading the last two episodes, and I was like, “How are we gonna figure this out? How are we gonna shoot this?” I remember walking into the production office [during] our last few weeks in Charleston, and I saw the drawings of what they were wanting El Dorado to look like, and I was like, “Where on earth [can we find that]? Are we building a stage?” We went back to Barbados, and we shot in an actual cave for three or four days.
I didn’t realize that I was claustrophobic until I was in that cave. There was no sunlight, and I had no concept of time. And of course, I have intrusive thoughts, so my mind was just racing, going through the worst case scenarios: “Oh my God, has no one seen that documentary [about the Thai boys’ soccer team who had to be rescued from a cave]?” I definitely had to talk myself down, but we pulled it off. We would not have been able to make any of that possible if it wasn’t for our crew. [But] I was glad when we wrapped the cave. [Laughs.]
How much of the finale required you and Chase to do your own stunts in that cave, and how much of it was achieved through visual or practical effects?
There were a lot of camera angles that were put in place to make it seem like we were jumping over this big crevice, when in reality it was just a little jump over a small stream. While we can cheat with cameras, there’s only so much you can do. We were in the water. We were trekking through the cave. We were in parts of the cave that people aren’t normally supposed to be in, which was such a privilege.
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